soft tonguing
Hello, I would like some advice about correctly notating tonguing. Sometimes I see a piece of flute, oboe, clarinet or bassoon music which features a single note repeated under a long slur with a tenuto symbol assigned to each note, suggesting so-called 'soft tonguing'. Does this type of notation apply to classical sax music, too? Do you see much of it in the classical sax literature? Thanks a lot, from Friendly.
Reply To Post [Report Abuse]